名著《简爱》经典语录摘抄

小说《简·爱》著称于世的英国女作家夏洛蒂·勃朗特，堪称逆境成才的典范。她的的生命艰辛而又壮丽，像一朵傲放于风沙中的仙人掌花。以下是小编搜集的名著《简爱》经典语录摘抄，仅供参考，希望对大家有所帮助。

名著《简爱》经典语录摘抄一

1、罗切斯特先生只准许我缺席一周，但我还没有离开盖茨黑德，一个月就已经过去了。

2、我希望葬礼后立即动身，乔治亚娜却恳求我一直呆到她去伦敦，因为来这里张罗姐姐的葬礼和解决家庭事务的吉卜森舅舅，终于邀请她上那儿了。

3、乔治亚娜害怕同伊丽莎单独相处，说是情绪低沉时得不到她的同情；胆怯时得不到她的支持；收拾行装时得不到她的帮助。

4、所以乔治亚娜软弱无能、畏首畏尾、自私自利、怨天尤人，我都尽量忍受，并力尽所能替她做针线活，收拾衣装。

5、我暗自思讨道：“要是你我注定要一直共同生活，表姐，我们要重新处事，与以往全然不同。”

6、我不该乖乖地成为忍受的一方，而该把你的一份活儿分派给你，迫使你去完成，要不然就让它留着不做。

7、我还该坚持让你那慢条斯理、半真半假的诉苦咽到你肚子里去。

8、正是因为我们之间的关系十分短暂，偏又遇上特殊的凭吊期间，所以我才甘愿忍耐和屈从。

9、我终于送别了乔治亚娜、可是现在却轮到了伊丽莎要求我再呆一周了。

10、她说她的.计划需要她全力以赴，因为就要动身去某个未知的目的地了。

11、思念就像河流般，滔滔不绝地流向大海，流向我的心房

12、喜欢你的笑容，喜欢静静的看著你，我的忧愁像云一般一下子就飞去了

13、如果能用一辈子换你停留在我视线中我将毫不保留

14、谁说你作的菜难以下□？我会每天回家吃晚饭

15、天上有多少星光世间有多少女孩但天上只有一个月亮世间只有一个你

16、我爱你！如果有一天，我化作一杯黄土，这黄土上长出的春草也是为你而绿，这黄土上开出的花朵也是为你而艳。

17、自从和你相识以来，我平静的心湖再也无法平静了。你的芳姿，你的丽影，你的笑靥，使我难以忘怀，我已被你美妙的风姿深深吸引！

18、只要能常常和你见面，我就觉得快活；只要依偎着你娇小的身躯，我就不会寂寞。

19、不要用温柔的呼唤使我着迷，不要用婷婷的倩影使我心动，不要用含情的目光使我受尽苦刑。

20、我心里有个小秘密你想不想知道？让风悄悄告诉你，我喜欢你，真的好喜欢

21、脉脉之情如一溪春水。快刀难斩断。无论我怎样的努力，始终无法将那个嘴角含笑的倩影从我心中赶出去

22、你有权拒绝我的爱，但你不能蔑视我的爱，因为那是一颗真诚地为你跳动的心。

23、我告诉你：第一是我爱你，第二还是我爱你，第三仍是我爱你我爱你

24、你看到的，就是最真的我一种永无止尽的感动感动这世界有你与我这最美的存在

25、好好照顾自己我不想等到下辈子再来爱你

26、想你的心情实在没办法用一句话代替

27、总是想念著你，，虽然我们无法共同拥有每分每秒，

28、你就是我最困难时的那位永远支持我的人

29、你可知我百年的孤寂只为你一人守候千夜的恋歌只为你一人而唱

30、这酒杯是甜蜜而悦人的，因为它曾碰过那知心人儿的樱唇。

31、海可以枯，石可以烂，我对你的爱，永不会变。

32、我感到世界上的一切，全部属于我了，因为你爱上了我。

33、谁说现在是冬天呢？当你在我身旁时，我感到百花齐放，鸟唱蝉鸣。

34、爱之火，在我俩的心中燃起，从此我俩将被熔在一块。

35、你这个美丽可爱的小鸟，你要把我的心衔到什么地方去呢？

36、真的，输了你，赢了世界又如何

37、如果爱上你也算是一种错，我深信这会是生命中最美丽的错，我情愿错一辈子

38、或许我没有太阳般狂热的爱，也没有流水般绵长的情，只知道不断的爱你爱你无所□能的为你

39、看著微笑的你，突然发现，我真是世界上最幸福的人

40、假如可以的话，我愿意花去生命中的每一分每一秒陪著你

名著《简爱》经典语录摘抄二

1) I resisted all the way: a new thing for me. (Chapter 2).

Jane says this as Bessie is taking her to be locked in the red-room after she had fought back when John Reed struck her. For the first time Jane is asserting her rights, and this action leads to her eventually being sent to Lowood School.

2) That night, on going to bed, I forgot to prepare in imagination the Barmecide supper, of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings. I feasted instead on the spectacle of ideal drawings, which I saw in the dark - all the work of my own hands. (Chapter 8).

Jane writes of this after she has become comfortable and has excelled at Lowood. She is no longer dwelling on the lack of food or other material things, but is more concerned with her expanding mind and what she can do.

3) While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ears. It was a curious laugh - distinct, formal, mirthless. I stopped (Chapter 11).

Jane hears this laugh on her first full day at Thornfield Hall. It is her first indication that something is going on there that she does not know about.

4) Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags (Chapter 12).

Jane thinks this as she looks out of the third story at the view from Thornfield, wishing she could see and interact with more of the world.

5) The ease of his manner freed me from painful restraint; the friendly frankness, as correct as cordial, with which he treated me, drew me to him (Chapter 15). Jane says this after Rochester has become friendlier with her after he has told her the story of Adeles mother. She is soon in love with him and goes on to say, And was Mr. Rochester now ugly in my eyes? No, reader: gratitude and many associates, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire (Chapter 15).

6) I knew, he continued, you would do me good in some way, at some time: I saw it in your eyes when I first beheld you; their expression and smile did not.strike delight to my inmost heart so for nothing (Chapter 15)

After the fire Rochester tries to get Jane to stay with him longer and he says this to her. This is one of the reasons that Jane feels he fancies her.

7) I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously revived, great and strong! He made me love him without looking at me (Chapter 17).

Jane says this when she sees Rochester again after his absence. She had tried to talk herself out of loving him, but it was impossible. This is also an example of one of the times that Jane addresses the reader.

8) In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight tell: it groveled, seemingly on all fours: it snatched and growled like some strange wild animal: but it was covered with clothing and a quantity of dark, grizzled hair wild as a mane, hid its head and face (Chapter 26).

This is what Rochester, Mason, and Jane see when they return from the stopped wedding and go up to the third story. This is the first time Jane really sees Rochesters wife.

9) Gentle reader, may you never feel what I then felt? May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agonized as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love (Chapter 27).

Jane says this as she is quietly leaving Thornfield in the early morning. She knows that she is bringing grief upon herself and Rochester, but she knows she must leave.

10) Reader, I married him.

This quote, the first sentence in the last chapter, shows another example of Jane addressing the reader, and ties up the end of the story. Jane is matter-of-fact in telling how things turned out.